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Nelly Kaplan (11 April 1931 – 12 November 2020) was an French writer and film director who focused on the arts, film, and filmmakers. She studied economics at the University of Buenos Aires. Passionate about cinema, she abruptly put her studies on hold to go to Paris in 1953 to represent the new Argentine film archive at an international convention and later became a correspondent for different Argentine newspapers. She had arrived with a resume highlighting her journalistic experience and a letter of introduction to , founder and curator of the Cinémathèque Française, who introduced her to . Gance gave her the opportunity to work on the film La tour de Nesle.

She became Gance's assistant during the film and made and showed the program Magirama (triple screen) in , then, still at Gance's side, she collaborated with him on Austerlitz (1960). He trusted her with the direction of all the second crew's action scenes during the filming of his movie Cyrano and d'Artagnan ( Cyrano et d'Artagnan, 1964).

Meanwhile, she published her work about Magirama under the name Le Manifeste d'un art nouveau, with a preface by Philippe Soupault. In 1960, she published a film report entitled Le Sunlight of Austerlitz, through the Plon publishing house.

Beginning in 1961, she directed an entire series of art shorts, which won numerous prizes in various international festivals. Among these shorts were "," an analysis of the 19th century symbolist painter; "," the engraver; "Dessins et merveilles," on the sketchbooks of , as well as "Les années 25 ", " La Nouvelle Orangerie ", "Abel Gance hier et demain ", " A la source, la femme aimée", titles based on the secret notebooks of the painter André Masson.

Her first feature movie, A Very Curious Girl, was the focus of a Kaplan retrospective in 2019, Wild Things: The Ferocious Films of Nelly Kaplan. She filmed and produced a 1966 documentary, The Picasso Look, about the works of Picasso being delivered and displayed in Paris.


Biography
Nelly Kaplan

was born in , Argentina to a Jewish family. A "neo-," she was "the only female film maker linked with ."

(2006). 9781845202262, Berg. .
Kaplan left for France at the age of 21. She served as a professor and lecturer at Institut des Hautes Études en Arts Plastiques.Her works are often female-centered and approach eroticism from a woman's point of view.
(1995). 9780313289729, Greenwood Press. .

Her films have been shown at many international festivals. As a member of the SACD, she took part in the board of directors as a member of the Cinema Commission on several occasions. Kaplan regularly collaborated on the show "Des Papous dans la Tête," on . She contributed to the cinema section of the magazine Le Magazine Littéraire for 25 years. Kaplan was Commander of the Arts and Letters, Officer in the National Merite Order, Cavalier of the Legion of Honor, and Academician of the Alphonse Allais Academy.

Nelly Kaplan died from COVID-19 at a nursing home in Geneva on 12 November 2020 aged 89, just 3 month later that her husband Claude Makoski.


Timeline

Books and movies

Fiction
  • La géométrie dans les spasmes (under the pen-name Belen), Le Terrain Vague, 1959.
  • La Reine des sabbats (under the pen-name Belen), Le Terrain Vague, 1960.
  • «...et délivrez nous du mâle» (under the pen-name Belen), Le Terrain Vague, 1960.
  • Le Réservoir des sens, nouvelles, La Jeune Parque, 1966; rééd. J-J.Pauvert, 1988; rééd. augmentée Le Castor Astral, 1995.
  • Le Collier de Ptyx, ciné-roman, J-J.Pauvert, 1971.
  • Mémoires d'une liseuse de draps, roman, J-J.Pauvert, 1974.
  • Aux Orchidées sauvages, roman, La Différence, 1998.
  • Un Manteau de fou rire, roman, La Différence, 1998.
  • Ils furent une étrange comète, roman, Le Castor Astral, 2002.
  • Cuisses de grenouille, roman, Maren Sell Editeurs, 2005
  • Et Pandore en avait deux..! followed by Mon Cygne, mon Signe, Editions du Rocher, 2008
  • Ecris-moi tes hauts faits et tes crimes… Correspondance avec André Pieyre de Mandiargues, Editions du Rocher, 2009


Essays on cinema
  • Manifeste d'un art nouveau: la Polyvision, Caractères, 1955.
  • Le Sunlight d'Austerlitz, journal d'un tournage, Plon, 1960.
  • Napoleon, British Film Institute Classics, 1994.


Filmography
Co-writer of the film Il faut vivre dangereusement, by Claude Makovski, 1974.

Co-writer of Jean Chapot's téléfilms:

  • Livingstone, 1980
  • Un fait d'hiver, 1981
  • La Tentation d'Antoine, 1981
  • Ce fut un bel été, 1982
  • Meurtre sans pourboire, 1983
  • Le Regard dans le miroir, 1984
  • Le Crépuscule des loups, 1986
  • Les Mouettes, 1989
  • Honorin et la Loreleï, 1991
  • Polly West est de retour, 1993
  • Honorin et l'enfant prodigue, 1994.
  • La Petite fille en costume marin, 1997.

Collaborated over 22 years to the Magazine Littéraire with a column on film adaptations from books.Giukin, Lenuta. Conversations and correspondence with Nelly Kaplan. 2001-2012.


Bibliography
  • Béhar, Stella. "L'Ecriture surréaliste de Nelly Kaplan." La Femme s'entête: La Part du féminin dans le surréalisme. Paris, France: Lachenal & Ritter, 1998. 275-289.
  • Calle-Gruber, Mireille. Nelly Kaplan : la verbe et la lumière. Paris: L'Harmattan, 2004.
  • Colaux, Denis-Louis. Grandes machines et spéculations introspectives. Bruxelles: Labor, 2003.
  • Colaux, Denis-Louis. Nelly Kaplan : portrait d'une flibustière. Paris: Dreamland, 2002.
  • Duby, Georges, and Michelle Perrot. History of Women in the West Vol. 5 : Toward a Cultural Identity in the Twentieth Century. Ed. Françoise Thébaud. New York: Belknap P, 1994.
  • Elley, Derek. “Hiding it Under a Bushel”, Films and Filming, 20.4 (1974): 22-5
  • Houston, Beverly. “Néa”, Film Quarterly, 32.3 (1979): 46-9.
  • Johnston, Claire. “Women’s cinema as counter cinema”. Notes on Women’s Cinema. London: Society for Education in Film and Television, 1973. 25; reprinted in Bill Nichols ed., Movies and Methods: an Anthology. Berkeley: University of California Press, 1975. 210.
  • Kay, Karin. “The Revenge of Pirate Jenny.” Velvet Light Trap 9 (Summer 1973): 46-9.
  • Lejeune, Paula. Le cinéma des femmes. Paris: Atlas Lherminier, 1987.
  • Mandiargues, Andre Pieyre de. “Nelly Kaplan”, Obliques 14-15 (1973), p. 70.
  • Rosen, Marjorie. “Women, Sex and Power”, Millimeter, vol. 4 (January 1976): 36-37.
  • Sebbag, Georges. Le point sublime : André Breton, Arthur Rimbaud, Nelly Kaplan. Paris: Jean-Michel Place, 1997.
  • Vincendeau, Ginette. "Fathers and Daughters in French Cinema: From the 20s to 'La Belle Noiseuse." Women and Film: A Sight and Sound Reader, edited by Pam Cook and Phillip Dodd, Philadelphia, 1993
  • Waldman, Diane. “The Eternal Return of Circe.” Velvet Light Trap, no. 9 (Summer 1973): 49-51.
  • Wells, Gwendolyn. "Deviant Games." L'Esprit Createur 31.4 (Winter 1991): 69-77.


See also
  • Lists of writers


External links
  • http://www.filmreference.com/Directors-Jo-Ku/Kaplan-Nelly.html
  • http://www.hollywood.com/celebrity/Nelly_Kaplan/194413
  • http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:96741

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